To Pursue the External Beauty of the bronze

 Chinese art is deliberate pursuit of external beauty of form, but with particular emphasis on the "meaning" behind the form, this image mode of thinking has a lot of specific performance and empirical, it is "image" as the media direct rational grasp the specific - "means". Epistemologically unique respect for intuitive thinking of the Chinese art of Inner Mongolia Normal people learn Ode I. Degree the righteous, and strive to consistently poetic romantic figure, rather than science, non-real form, and thus the formation of artistic expression in lyrical impressionistic image modeling. Generally, the progress of Chinese  bronze dragon   is divided into three stages.  Simple freehand shape on the depth of performance and creativity, to make it more poetic and expressive.
The use of the Romantic lyric freehand expand a broader and more liberal imagination. Thus, the Chinese Ancient Bronze Sculpture by the Chinese people's lifestyle, thought patterns, emotional confession of the differences in aesthetic taste preferences, with strong romantic flavor. Chinese ancient bronze sculpture art can be traced back five thousand years ago Neolithic the gI: lh culture in the ancient bronze sculpture romanticism infancy. Unearthed in Liaoning Province Niuheliang painted sculpture of the goddess Avatar, demonstrated a superb level of bronze sculpture in world terms is quite outstanding. Formative period, golden age and transition period are there stages of the    bronze . Moreover, the head of land clean-up found one of the original ancestors of the festival "Goddess Temple", unearthed dozens of clay debris. Note that period of Chinese bronze sculpture art has entered a period of considerable development.
 Little later Liaoning Kazuo County Dongshanzui unearthed several times on the statue of nude pregnant women can also be unearthed with German Velen Dorf Venus comparable, but also my bronze sculpture art has a long history . Formation stage of the    bronze    refers to the Longshan era, dating back to 4500 BC~4000 BC. Bronze sculpture of romanticism along with the development of China's ancient bronze sculpture, prosperity, and gradual and nuanced up. Bronze Age, the metal casting technology developed, Shang and Zhou bronze tools and ritual utensils varieties range dignified peculiar shape, ornamentation skill is high, with the beauty of hunting calendar.
Unearthed in Sanxingdui, Sichuan bronze masks and bronze stand portrait, with the daring art of exaggeration, is the product of the ancient Shu culture system. China's bronze culture with the same period of ancient Egypt, ancient Greece, compared to copper statue in the art of modeling and casting process are superior to them. During this period, China's romanticism began to affect the  chinese bronze   . The golden period of the   bronze statue   is the official Chinese Bronze Age, lasting through the Xia, Shang and Western Zhou Dynasty. Qin and Han Dynasty, China's ancient bronze sculpture to the development of the first peak soon. Qin Qing bronze to terracotta warriors and horses, represented by a magnificent, with the overwhelming momentum.
Han Dynasty bronze sculpture the Huo tomb stone carvings, and Han figurines and portraits carved stone, deep and strong and full of charm, the charm of the empire. The Han Dynasty is the most intense period of romanticism development. Transition period of the   bronze sculpture   refers to the time between the late Warring States and Qin and Han dynasties.  Wei, China's Buddhism was very popular in a number of dynasties and even revered as a state religion. Therefore, a large number of Buddhist sculptures, Dunhuang Grottoes, Maijishan Grottoes, Yungang Grottoes, the Longmen Grottoes have been cut off a second wave of ancient bronze sculpture development, the representative works of this period to the Yungang Grottoes, Maijishan grotto-based modeling is characterized by bone show clear like, Wanya Jun Yi stressed that the Buddha nature, with the style of the foreign bronze sculpture America.
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