the voice of the overall atmosphere within the space

Dynamic creation can generally be divided into two types: one is formed in the epitaxial space by the elements of the real movement dynamic. If the use of flashing, flickering lights or rising, filled with gas and other means to render the space atmosphere, so as to stimulate the viewers' emotional excitement. The second class of dynamic space physically stationary objects to achieve the effect of movement on the visual. It also has two protuberances on the top of the bronze .  We can use the visual illusion and visual psychological factors to a stationary object to generate a sense of movement   chinese bronze  . Point in space, line, surface, physical, visual feel law to the organization and design, the line has a strong directionality, face and body can be caused by changes in the formation of direction caused by the dynamic. The use of composition in the form like painting, the trend lines, color changes to create a sense of movement, creating a movement extension of space, services within the extended body.
In addition to the sporty performance of epitaxial space, according to the needs of the bronze sculptures content, but also can create a quiet, peaceful space environment. For example, when a bronze sculpture in the creation of a viewer to convey the mood of the spirit of Taoism and Buddhism, would require the epitaxial space should have a strong limit, reduce contact with the surrounding space, the application closed form. Since the Sui and Tang, the  bronze had emerged. Design considerations for various forms of space to the heart, centrifugal, or symmetric form in order to maintain static balance; and space point, line, surface processing as much as possible the orderly rules. In addition, the use of color tend to simple and elegant, soft light, and avoid the destruction of the space outside the voice of the overall atmosphere within the space.
 In order to make the viewer in the works of  bronze statue  , and works to achieve harmony and unity in spirit. Thus, if within the extended space, the epitaxial creating the space in addition to the use of substances such as shape, materials, practices, or to meet the essential needs of the viewer mentally. We express the shape of various substances media when they want to express the meaning far beyond the shape outside. China’s Age of  bronze  came into being about the year 2000. The bronze sculpture epitaxial space within the body language of the spiritual content of the extension space as the basis, can convey a noble, sacred, stable, depression significance. Such as high direct space can give a feeling of lofty, too low and narrow space makes depression, pyramid-shaped space people feel secure, and these forms combined with color, light, and a variety of factors such as overall service at the  bronze    extension of space, to help convey the theme of the works, and give better play to the bronze sculpture as an art form to meet the functional role of the human emotional needs.
 Reasonable and non-restrictive. It as another possibility in the bronze sculpture artistic expression at the same time, also has its own rich development factors. As the performance of the bronze sculpture within the extension of space in the history of the development of forward evolving, with the scientific and technological progress, the development of the  bronze sculpture    of the expression of the epitaxial space is endless. The Age of the  bronze  of China lasted through the Xia, Shang and Western Zho and Spring and Autumn Period, about 15 centuries. However, everything has two sides. This bronze sculpture of the supremacy of power positioning doomed limitations in the course of their practice. The implementation of this approach must be to reduce the bronze carving artist. The essential attribute of the new manifestations of the idea and feasibility analysis of this paper, the performance of the Bronze Sculpture, inspired by the diverse development trends of recent art,  bronze dragon    for the body to the expression of the other categories of art forms.
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