the bronze sculpture of the Renaissance do not have dynamic expression
Epitaxial space as a form of expression, an element bronze sculpture, bronze sculpture main This relates to relations within the extended space and the extension space. More precisely, between "Who the principal, who subsidiary". Relationship between the two three conditions in the bronze eagle relationship between extension of the space and the extension of space, there are three conditions to manifest: the first is the main the epitaxial space is within the extended space as a subsidiary, its function is to point to epitaxial space. First is the gold-silver-inlay and mosaic bronze . The second situation is a bronze sculpture within the extended space and extension of space presents an equal relationship, independent of each other and complement each other in order and co-unified.
This dynamic from the large movements, and many bronze sculpture base and attached to the wall, frame, if at any time the wind. Character-oriented emotional expression of the characteristics of the Baroque bronze sculpture, their emotions, not only through the characters facial expressions and body movements of the body. It can be seen that the performance of the bronze sculpture within the extended space, the Baroque art of chinese bronze to play most vividly. Bernini's famous work "Shengdeliesa" David ", that strong action in the performance of spatial relationships. These are typical masterpieces of the fine metal works and bronze . However, including the extension of the space and the extension of the relationship between space, all this can not cover up the bronze sculpture in which the subsidiary status.
It is clear that decorate the building space within the meaning of the Baroque bronze sculpture. Baroque sculpture, performance and the now we are dealing with more environmental bronze sculpture is consistent. Second are the techniques of gilt and mosaic of the bronze . Environmental bronze sculpture is only the modern naming, including the ancient religious bronze dragon , bronze sculpture of architectural decoration, monuments, sculpture, which are generally placed in an outdoor public space or building space, with a long time, such as sacred pure serene, positive, public memorial, permanent categories of characteristics. These features is formed due to the needs of their functions. Today, environmental bronze sculpture can still continue to bear this function to retain these characteristics.
The third situation is less than the extension space for the main body, the epitaxial space to serve completely subordinate to it, as part of the bronze sculpture of manifestations, from creation to finished bronze sculpture exhibition, and the use of materials within the extended space and handling of the role within the extended space to enhance the entire works of emotional stimuli The purpose of the saturation. The early period doe not only carry on the existing traditional craft of gold-silver-inlay for the bronze . The first situation mentioned above is a habitual mode. Such as the seventeenth century, popular in Europe a kind of art style - Baroque art.
It is a gorgeous, brilliant, extremely rich in decorative art style. Relative to the solemn compact of the Renaissance classical art, it is more good to combine painting, architecture and bronze sculpture of a long in order to create an amazing luxury and warm, it is 5 copper bronze sculpture exciting results. In a number of tombs of royal princes and kings unearthed the fine metal works and bronze statue can be regarded as rare and treasure. Among them, the building is the highest achievement of the Baroque art. Concentration of a closed space to open from the Renaissance bronze sculpture with special emphasis on combining with the construction, including the extension of space also demonstrated in the bronze sculpture of the Renaissance do not have dynamic expression.
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