bronze Express the Casting Talent of Working People
An Olmec bronze sculpture art geometric spherical giant stone statues are the most unique stone Yu Er Meike (the Olmec) culture, the number of up to 17, appeared in 1200 BC to 400 BC southern Mexico and Central America. Whether viewed from any angle, they emerged as a spherical posture. These picture are the image of young people, with thick lips and snub-nosed as the typical characteristics. The bronze statue expresses the casting of talent and superb artistry of the craftsmanship. They face, square head leap, wearing a helmet decorated with a pattern and ear muffs, angry staring eyes, flat nose, thick lips t mouth drooping. Avatar summarized within the spherical state because of broken, so it is daring, vigorous, hard, tenacious. The Olmec people chose to carve the spherical head is limited by the inherent shape and conditions of transport they choose stone.
The natural size of the stone to determine the processing object shape, the stone may be partial circle, perhaps with a square circle, and the Olmec people to take shape potential, the original J: tools to maximize the expression of their idol worship, to As for the part of the giant stone statues "enough to circle with a square. The bronze represents the ethical concepts of the slave society. Moreover, the Olmec people live in the area simply does not exist for the carving of basalt, and they need through the forests, rivers and swamps, volcanic rock from outside the 50 km field of mining, transportation of stone, was neither accounted for force nor mechanical under the original conditions, the choice of spherical stone is most conducive to rolling in the handling process. In addition, the culture of the Maya (Maya) 3 stone mostly geometric blocks, but more common in the relief towel, so this not be discussed.
The geometry of the two Aztec carving vast Ⅱ art bronze sculpture art of the Aztec (Aztec) is the most common geometric shape: rectangular, round (used for relief), a combination of round and square shaped. It can be said, is here basic morphology support the glory of the Aztec bronze sculpture art. As a result, the chinese bronze was proved to be the historical witness. bronze dragon Figure 3 dogs to the Goddess, art, stone high 35 Shanghai University Master dissertation g shift from relief to bronze sculpture in the round of the goddess's head, torso, limbs showed a cube, performance of the overall configuration of a combination of the cuboid. "as" the god of rain Chuck Moore (Figure 4) is the representative works of Aztec art maturity, as a whole to take a rectangular configuration, the god of rain was sitting and lying posture, the head-side, knees, holding the container.
Modeling approach exaggeration, perfect shape, structure, face portrayed a vivid, rich decorative details. overall shape of the heavy and forceful, with a mature Aztec bronze sculpture art to pursue a massive effect, shown by the images more than a single piece of boulder carving made statues and stones seamless, high degree of generalization and concentrated laid the foundation for the existence of geometric images as the carrier of the ideographic be gradually simplified, heavy, concise artistic characteristics. Furthermore, the scientific value of bronze sculpture lies in metallurgy and casting technology. This massive bronze sculpture with a sense of cohesion force, agglutinate a variety of different shapes in a limited and closed space, showing the moment of equilibrium in the strong conflict between the elegant external force and the expansion of the inherent vitality.
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chinese bronze sculpture statue